Stories By 'Sandesh Ghimire'
Public display of affection is still frowned upon in Nepal and South Asia. Nepal Police still routinely harass couples enjoying their privacy in the quiet of hotel rooms, LGBT rights have been secured but sexuality is not yet open for public discussion. Chapters on human reproductive organs, as mandated by the government curriculum, are glossed over by teachers in schools, while sex education for young adults is either avoided or entirely dismissed by parents.
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Tags: bookLGBT
In The Girl from Kathmandu, a decade long investigation reveals how Nepali youth are dispensable cogs in the global machinery
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Every year and in almost every grade, the government prescribed school curriculum makes students rote learn that Nepal has one of the biggest potential for hydropower development. Politicians, when in power cite hydropower expansion as Nepal’s short cut to heaven. A shroud of the promised land hung large when KP Oli and his Indian counterpart remotely laid the foundation to the 900 MW Arun 3 Hydro power project. In an recent op-ed article (Return of the Dam Plan, May 25), economist Chandan Sapkota lauded the restart of the project for its “transformative nature in terms of potential to boost economic growth and job creation.”— and took the opportunity to reflect on why the Arun 3 was stopped more than 20 years ago.
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The Himalayan Arc: Journeys East of South-east brings together a collection of writings that explore modernity in the South Asian region. The onset of modernity in the region can be traced to Prithvi Narayan Shah, the founder of the first nation-state in South Asia, whose campaign to gobble “up tiny hill principalities and larger kingdoms in a military juggernaut” was partly successful, writes Amish Raj Mulmi in an essay featured in the book, because the Shah king had developed “a political ideal that allowed a people to pledge their allegiance to the modern abstraction of an amorphous, unchanging state.”
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The Ugly Duckling turned out to be a misnomer. Bullied for being different, slow and clumsy compared to his siblings, the so-called ugly duckling struggled all his life to find love and acceptance. He wanted to fit in. And he almost broke himself trying. Only to later realise that he was not a duck but a Swan.
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In a span of two months, two separate adaptations of Anton Chekhov’s Three Sisters have been staged in Kathmandu’s theatres. The first one was the English adaptation, Three Sisters, staged at the Kunja Theatre in March, and there is an ongoing Nepali adaptation, titled Tin Bahini, at Shilpee Theatre, Battisputali.
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