Time and again, love

Richa Bhattarai, Sep 22 2018

There are books we like because with their dazzling beauty, they make us say ‘wow!’. Others, far fewer in number, weave in an element of surprise or novelty so thought-provoking, we can just whisper a soft ‘Oh!’ Matt Haig’s twelfth novel ‘How to Stop Time’ is one of the latter.
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It was July of 1993 and the rains would not stop. Torrential rain for several days led to a flood the kinds Kathmandu had never seen before, or since. The raging waters washed away the roads and bridges connecting the Kathmandu Valley to the rest of Nepal, virtually isolating the Capital. The only possible connection was through the air, not just for immediate rescue and relief operations, but also the supply of essential goods.
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I am sure my childhood was not as amusing as my recollection makes it out to be, but even so, when I think of the early eighties, of the years before I turned ten, I remember a delicious chaos. Streets were not yet crowded with vehicles, parents had not yet learnt to be afraid of every stranger walking the roads, and most nine-year-olds ambled to school without a chaperone or a care in the world.
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Lo Manthang, admittedly, is a hard place to get to; you know that much once you leave the snaking Baglung Highway at Beni Bazaar and start your climb up precipitous roads hugging the gushing Kali Gandaki. The landscape becomes more and more sparse with each new town you hit—Tato Pani, Ghasa, Lete, Marpha—until you arrive at the barren moonscape that is Mustang.
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All aboard

Guffadi, Sep 22 2018

Our greatest Prime Monster Oli Dai is off to New York to waste our taxpayers’ money like every other Prime Monster preceding him.
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The nature of identity is twofold: First is physical identity—the tangible things that everyone can see and feel, comprised essentially of the people and physical structures. The second type of identity is the metaphysical identity of a place which is far more elusive and harder to define. It does not involve the superficial aspects of society and one has to dig beneath the surface to find it—it exists in the festivals, everyday rituals, and most of all, in the art and the music that people make.
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Tags: janakpur
in December 2015, researchers at the Center for Molecular Dynamics-Nepal (CMDN) received an urgent call from the Nepal Police’s Central Investigation Bureau (CIB). Tiger specimens confiscated from poachers needed urgent forensic examination, they said.
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Bhawana Dhital, a resident of Nayathimi, Bhaktapur, had yet another difficult summer this year. With the water supply from public pipelines inconsistent and limited, Dhital had to rely on commercial water tankers to meet her eight-member family’s daily needs.
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